Fibonacci Sequence in Nature and Universe

Fibonacci | The mathematical part of a very special number Phi = 1.6 reveals a “divine proportion”, also called “golden number” for its presence in nature, in plants, animals and other forms of life, and also throughout the universe. Who did not notice and did not remain pleasantly surprised how much symmetry and order exist in nature? Probably many of us have already deduced that nature used in its “hazard” mathematical formulas that ultimately created everything that surrounds us. People are constantly trying to understand nature and its laws, to feel cosmic rhythms, to understand life more deeply, to achieve harmony with the environment. For instance, it is considered that the face of Gioconda da Vinci falls into such a rectangle, and at least two such rectangles are found in the construction of the Parthenon of Athens. There is the myth that Leonardo Da Vinci believed that GOLDEN PROPORTION was the proportion of the height and width of a “perfect” human face and that he had used the Golden Proportion in the realization of the Vitruvian man. Although there is no evidence against this idea, there is no evidence in her favour, so the only reason to believe in this idea is faith itself. The same is true of Botticelli’s famous painting “Birth of Venus” or in the case of Georges Seurat and his painting “The Parade of a Circus”. There are also painters who intentionally used the Golden Proportion. Among them are Paul Serusier, Juan Gris, Giro Severini and Salvador Dali. But they seem to have used P.A. only as an experimental technique, and not as an intrinsic aesthetic motif. The Cubists organized an exhibition called “Section d’Or” in Paris in 1912, but the name had no connection with the art exhibited.